- Settings: drop AMPP tab, rename GPU/Transcoding → Proxy encoding
with explicit 'applied to every ingested file' wording, expose
CPU codec/preset options when GPU is off
- New Capture SDKs tab (Settings): upload Blackmagic / AJA / Deltacast
SDK archives (.zip / .tar.gz) staged to /sdk/<vendor>/ inside mam-api;
BMD is fully wired into the FFmpeg build pipeline, AJA + Deltacast
staging-only pending FFmpeg patches
- mam-api: new /api/v1/sdk routes (multer upload, extract, list, delete);
Dockerfile gets unzip+tar; docker-compose mounts /mnt/NVME/MAM/sdk:/sdk
- proxy worker now reads proxy-encoding settings from DB on every job,
builds args for libx264 / NVENC / VAAPI, falls back to libx264 on
hardware-encode failure
- settings GET /s3 falls back to S3_* env vars when DB is empty so the
UI reflects what's actually wired (fixes 'not configured' false alarm)
mam-api self-heartbeat now reads NODE_HOSTNAME so primary rows survive container restarts instead of resurrecting with the random container ID. test-cluster.sh rewritten to use jq (the python f-strings had a parse bug that silently passed the IP check) and limited the docker-bridge alarm to 172.17.x since the user LAN occupies 172.18.0.0/16.
While a recorder is running, the capture container tees an HLS
stream into /live/<assetId>/ alongside the ProRes master upload.
The asset row is pre-created at recorder start with status='live'
so the clip appears in the library immediately. /api/v1/assets/:id/stream
returns the HLS playlist URL until recording stops, then proxy.
* docker-compose: shared wild-dragon-live mount on api/capture/web-ui
* migration 001-add-live-status: idempotent ALTER TYPE for asset_status
* mam-api: runMigrations() on boot; recorders.js pre-creates live asset
+ passes ASSET_ID; assets.js POST upserts on existing live row instead
of inserting a duplicate, and stream route returns HLS for live assets
* capture: parallel HLS ffmpeg into /live/<assetId>/; ASSET_ID env
* web-ui: nginx serves /live/, preview.js loads hls.js, LIVE badge added
