POST/PATCH now persist all new codec columns via a whitelist. /start
forwards every codec setting to the capture container as an env var. The
live-asset created during /start now uses the recorder's container ext
(.mov vs .mp4 etc.) instead of always assuming .mov.
Heartbeat handler now overrides 172.x docker bridge IPs with the
request's source address when the request itself came from a real LAN.
Adds GET /devices/blackmagic that flattens every node's capabilities so
the recorder UI can show a card picker spanning the whole cluster.
In bridge mode the agent was reporting the container's 172.x address
because the first non-internal interface in os.networkInterfaces() was
docker0. Now honours NODE_IP, skips lo/docker*/br-*/veth*/etc, and
down-ranks the 172.16-31 range so real LAN IPs win. Also exposes the
detected IP on /health for the onboarding script to print.
Expands recorders with video bitrate, framerate, audio codec / bitrate
/ channels, container format, and a node_id/device_index pair so the UI
can pin SDI recorders to a specific node + DeckLink port instead of
relying on a flat "BM1/BM2" index. capture-manager.js consumes these via
env vars and builds ffmpeg args from them.
Migration 004 wrapped table creation in IF NOT EXISTS, so deploys with
a pre-existing cluster_nodes table never picked up the inline UNIQUE
constraint and accumulated duplicate hostnames on every container
restart. This migration purges older duplicates and adds the unique
index idempotently so the ON CONFLICT (hostname) upsert finally works.
- Active sequence info bar shows current Premiere sequence name
- Import Proxy / Hi-Res split buttons replace single Import button
- Export panel (hidden) slides in with seq name, project picker, clip count
- Export Timeline button in second action row triggers panel
- Fix: /stream returns relative URL — prepend serverUrl before Node.js download
- Add: importAssetHires() calls /assets/:id/hires for original file
- Add: saveImportMapping() stores tempPath→assetId in localStorage so
timeline export can match Premiere clips back to MAM assets
- Add: startExportTimeline() reads active sequence via exportTimelineData(),
shows export panel with seq name + clip count
- Add: confirmExportTimeline() resolves paths→assetIds, upserts sequence,
PUT /sequences/:id/clips
- Add: refreshCurrentSequenceInfo() shows active sequence name in info bar
